Writer-director John Carney's long-awaited follow-up to the 2006 Oscar winner "Once" delves into the familiar themes of love and music. The filmmaking is more ambitious, not just because it's set on the streets of New York. John Carney the writer has learned to trust John Carney the director and this is what sets "Begin Again" apart from the rest of the cutesy independent film wannabees. During several of the movie's finest moments, Carney's camera lets the images speak for themselves with no further explanation required. It's pure cinema and true beauty. The final image of Keira Knigthley's face is reminiscent - yet more optimistic - of the famous end to François Truffaut's "The 400 Blows" - a powder keg of emotion worth a thousand words.
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Keira Knightley, Hailee Steinfeld, and Mark Ruffalo |
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Keira Knightley and Adam Levine |
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Making music on the streets |
It embraces the New York setting and dives into the city. The characters and neighborhoods are expertly weaved together into a believable world that makes everything seem alive and real. Shot on digital with the Red camera, the cinematography especially pops during the nighttime scenes in Times Square - which appear to have been secretly filmed with real New Yorkers as extras.
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Mark Ruffalo and Keira Knightley in Times Square |
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